Düşünme Fobisi/Phronemophobia
Disiplinlerarası projenin genel konsepti "Phronemophobia" üzerine kurulu. Proje kendi içinde eşzamanlı gelişen iki ayrı bölümden oluşuyor. İlk solo, düşünme fobisinin bedenle olan ilişkisi üzerine odaklanıyor. Düşünme fobisinin birkaç fiziksel belirtisini geliştiren Tuna, harekete başlarken vazgeçme,takıntı, tekrardan doğan deformasyon, nefesi düzensiz kullanmanın solonun çıkış noktası olduğunu, grup koreografisi olan "F" de ise bedeni sınırlı bir mekan olarak ele alıp, bu sınırlandırılmış alanın içinde var olmak, sıkışmak ve başkalaşmak fikrinden yola çıktığını, omurların birbirini sıkıştırması ve hareketin rahatlamadan başka bir yere itilmesinin koreografinin temel hareket lisanını oluşturduğunu belirtiyor..
Konsept ve Koreografi/ Concept and Choreography: Tuğçe Tuna
Performans Sanatçıları/Performance Artist:Çiğdem Agas, Erdinç Anaz, Aslı Bostancı,Tuğçe Tuna, Melis Tuzcuoğlu
Müzik/Music: Erdem Helvacıoğlu
Video: Vahit Tuna
Işık Tasarım/Light Design: Ayşe Ayter
Grafik Tasarım/Graphic Design:
Vahit Tuna
Sahne Amiri:Production Mang:
Berke Yüksel,Çağıl Çiğdem
The general concept of the interdisciplines is based on ''Phronemophobia''. Tuna, who says combining emotions and situations is one of the basic ways of one's learning,claims that everybody has incomparable formulas for when and how they will feel themselves bad and adds that she guesses that we can decrease our fears by thinking and rationalizing. The project consists two parts which progress simultaneously in themselves.The first solo focuses on the relationship between the fear of thinking and the body. Tuna, who states that she's trying to better the physical symptom of the fear of thinking ,says that when beginning to the act -giving up,hesitating, deformation due to the repeat, using the breath irregular are the starting points of the solo, and also says that in ''F'', a group choreography, comes out from the idea of seeing the body as a limited place, existing in this limited area, being pinched and changing, and states that vertebra's constricting eachother and pushing the act in a different way without relaxing form the basic act language of the choreography.
Bonnie MARRANCA
PAJ: A Journal of Performance and Art New York
"The mood changed drastically in other dance performances I saw, demonstrating the range of work in dance in Istanbul these days. Phronemophobia/F (The Fear of Thinking), with concept and choreography by Tugce Tuna, was a somber dance piece, in two parts. The first, a strongly emotive, even disturbing solo by the choreographer rubbing her feet on the ground over and over, and the second part featuring five dancers who formed what appeared to be a post-apocalyptic community. Their misshapen bodies, with odd head turns and leg twists suggesting Butoh influence, struggled to move on and across a grid-like floor often highlighted in white blocks of light. The section ended with a series of tableaux as the dancers crawled toward the audience. This was an ambitious evening of dance by young performers, which also included black and white video segments (by Vahit Tuna) featuring close-ups of a man’s face making slight movements, shown both above the space and on floor monitors, accompanied by an electronic score. The overall feeling of F was a sustained feeling of doom whose effect would have benefited from being shortened and more focused for greater clarity in the relation between its parts. The title of the work and the strong element of resistance in both solo and group movements suggest that the piece had moved beyond formal elements to an underlying social commentary. "
The New Anatolian / May 2006
Dancer, trainer, choreographer and performance artist Tugce Tuna is adding a new work to the list of independent shows she's created over the years entitled "Phronemophobia" -- phobia of thinking -- to be presented at the 15th International Istanbul Theater Festival tomorrow and Sunday. She's previously staged her work such as "Kavis" (Curve), "Vertigo o.4," "Rüyamda Gordum/Ayrilik Sendromu" (I Saw it in My Dream/Separation Syndrome), "Farkli Bedenlerle Dans" (Dance with Different Bodies), and "Solitude" -- at various national and international festivals including the 14th International Istanbul Theater Festival organized by the Istanbul Foundation for Culture and the Arts (IKSV). For last year's festival she turned the dance platform around 90 degrees and carried her performances onto the wall.The score for Tuna's choreography at this year's festival is in two parts, written by Erdem Helvacioglu. The general concept of the show "Phronemophobia" means a phobia of thinking which emerges as a result of a subconscious self-protection mechanism. The first part of the show, which shares the same name as the performance, explores the relationship between body and the phobia of thinking. Here the group choreography focuses on the motion that creates its own field around the body and in space. Simultaneously Tuna addresses the body as a limited space and moves from the notions of existing in this limited space and metamorphoses. Among the aims of this project is to create a work that will carry Turkey to international standards in the field of performance arts and to take emerging work in circulation in numerous cities in Turkey and abroad to meeting points of international significance, such as festivals and similar events. Thus it aims to reach a wide rage of audiences, contributing to promoting the country internationally. It also aims to open a door for young dancers and offer them the opportunity to participate in both local and international performances.
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